Mark Fleischmann

Mark Fleischmann  |  Sep 08, 2017  |  0 comments
You may have heard about Bluesound's Pulse Soundbar before but you probably haven't heard about a couple of recent updates.

Mark Fleischmann  |  Sep 07, 2017  |  0 comments
How dare you, sir, how dare you accuse soundbars of being low-end proletarian piffle when Paradigm is custom-cutting aluminum enclosures to match the flat screens of its discerning clientele.

Mark Fleischmann  |  Sep 07, 2017  |  0 comments
The sound rooms lining one side of the show floor featured loads of great projection and surround demos (thank you, GoldenEar, Meridian, and Emotiva). Many featured in-walls. One of the few to feature new freestanding speakers in our beat was RBH.

Mark Fleischmann  |  Sep 07, 2017  |  0 comments
Dynaudio celebrates 40th anniversary with a special speaker.
Mark Fleischmann  |  Sep 07, 2017  |  0 comments
Where are the woofers in ELAC's new Adante speaker line? The camera didn't catch them because they were hiding within the enclosures.

Mark Fleischmann  |  Sep 07, 2017  |  0 comments
One result of the merger of the Pioneer receiver line into Onkyo's receiver line is the spread of the D3 digital amplification pioneered by Pioneer into a greater array of price points.

Mark Fleischmann  |  Sep 07, 2017  |  0 comments
KEF Does Atmos in New Q Series
Mark Fleischmann  |  Sep 07, 2017  |  0 comments
Monoprice, which started with cables and went on to offer tons more things at affordable prices, bowed three new subwoofers under its Monolith brand, maker of respected multichannel muscle amps.

Mark Fleischmann  |  Sep 07, 2017  |  0 comments
The Maestro M5 is how AudioControl does Dolby Atmos and DTS:X in a high-end surround preamp-processor.

Mark Fleischmann  |  Sep 06, 2017  |  4 comments
HDR improves picture quality but also makes content more tempting to steal. Writes a Fox studio executive in Multichannel News: “Fox’s experience is that the moment a high-quality pirate source becomes available, it immediately becomes much more popular than lower-quality sources such as theater camcorders or ‘ordinary’ HD sources, and is therefore a bigger threat to our legitimate business.”

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