SUBWOOFER REVIEWS

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Michael Trei  |  Oct 22, 2015  |  4 comments

Motion 60XT Speaker System
Performance
Build Quality
Value

Dynamo 1500X Subwoofer
Performance
Features
Build Quality
Value
PRICE $6,695 as reviewed

AT A GLANCE
Plus
Powerful, punchy sound
Excellent sonic match among speakers
Fine upper-octave detail
Minus
Clunky interface for Perfect Bass Kit
Marketing not withstanding, they can’t image like ML’s dipole speakers

THE VERDICT
While they don’t have much in common with MartinLogan’s electrostatic offerings, the Motion XT speakers let you keep a foot in both the music and home theater camps with little compromise.

Coming up with a good slogan for your company can be tricky. You want something that tells people what you do, but you don’t want it to tie your hands as the company evolves. For years, Burger King ran commercials using the catchphrase “Have It Your Way,” but they had to drop it when they wanted to reduce the bottlenecks being caused at restaurant counters by custom orders. Now they’re back to being the “Home of the Whopper.” Of course, you could simply ignore the historical inaccuracy of your catchphrase, as the H.J. Heinz Company has done; after all, they probably have 5,700 varieties today, not just 57.

David Vaughn  |  Sep 24, 2015  |  0 comments
Performance
Features
Ergonomics
Value
PRICE $1,750

AT A GLANCE
Plus
Small form factor is décor friendly
Satisfying bass response
Minus
Can’t deliver the sonic impact of a bigger sub
Better values can be found in the market

THE VERDICT
Given the Sunfire’s dainty size, I didn’t expect much, but it delivers in spades with music and should be adequate with movies for many listeners.

My name is David Vaughn, and I’m a bass-a-holic. There isn’t a 12-step program to cure me of this disease—and even if there were, I’d avoid the treatment like the plague. There’s nothing like feeling the thump in your chest when an explosion rocks the room in the latest Hollywood blockbuster or hearing the windows rattle to some classic rap from the early 1990s. (Hell, who would have ever thought that “classic” and “rap” would go together in the same sentence?)

Mark Fleischmann  |  Sep 17, 2015  |  0 comments

RP-150M Speaker System
Performance
Build Quality
Value
R-110SW Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,399 as reviewed

AT A GLANCE
Plus
Titanium-dome tweeters in 90x90 Tractrix horns
Tractrix-shaped rear ports
Wireless sub option
Minus
Sacrifices some warmth for analytic detail
Sub subdued

THE VERDICT
Klipsch’s Reference Premiere achieves high resolution at a low price, though it can be too revealing for some content.

Klipsch is built on concepts so fundamental that they have transcended changes in audio fashion and even ownership. Chief among them is the concept of horn-loading, promulgated by the legendary Paul W. Klipsch (1904–2002) and marketed by him, his family, and their successors. It enables reasonably priced speakers to play louder, and to many listeners sound clearer, with less power. Klipsch speakers also look like no one else’s, thanks to the tangerine/copper color of the woofers, another of the brand’s 20th-century traditions.

Mark Fleischmann  |  Aug 25, 2015  |  0 comments

Mini A Speaker System
Performance
Build Quality
Value

Model A Subwoofer
Performance
Features
Build Quality
Value
PRICE $4,785

AT A GLANCE
Plus
Coordinated on- and off-axis response
Custom drivers
Strong dual-10-inch sub
Minus
Center not fully timbre-matched
Not much to look at
Sub crossover limited to two settings

THE VERDICT
The Bryston Mini A offers refined performance and—though it’s not obvious to the naked eye—serious build quality at a moderate price.

So many audio products start as marketing necessities. But how many start as personal quests? When Bryston’s James Tanner wanted to design a one-off “ultimate loudspeaker” for his own reference system, the resulting Mini T floorstanding tower impressed his colleagues so much that it squirreled its way into the upper-echelon marketing channels usually reserved for Bryston’s formidable preamps and amps (which, incidentally, include surround-friendly three-, five-, and eight-channel models).

Daniel Kumin  |  Aug 11, 2015  |  3 comments

Zensor 5 Speaker System
Performance
Build Quality
Value

VTF-1 MK2 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,244 as reviewed

AT A GLANCE
Plus
Neutral balance
Excellent center-L/R tonal match
Superb “small”-sub output and extension
Minus
Zensor 5 mini-towers are rather short

THE VERDICT
Combining DALI’s fine-performing, high-value two-way line with one of the best inexpensive 10-inch subwoofers available creates an affordable system that competes well with the many contenders in its price class.

DALI is a company that has nothing to do with surrealist art or Tibetan Buddhism. The acronym is for Danish Audiophile Loudspeaker Industries, which over some 30 years has grown from a home-market specialist to a respected international brand. Despite this success, I had never gotten up close and personal with any DALI designs (trade-show demos excepted) until they shipped us a representative selection of their new Zensor entry-level series. Since the Zensor-ship currently lacks a subwoofer, we tapped one of the best size- and price-appropriate designs we know, Hsu Research’s affordable VTF-1 MK2.

Darryl Wilkinson  |  Aug 06, 2015  |  0 comments

InRoom Bronze LR-H Speaker System
Performance
Build Quality
Value

InWall Bronze/4 SlimSub
Performance
Build Quality
Value
PRICE $11,050

AT A GLANCE
Plus
Dolby Atmos enabled
Natural, open character
Superb match with InWall Bronze/4 SlimSub
Minus
Atmos operation limits use in cabinets or behind a screen

THE VERDICT
Awesome for Atmos and awesome at most everything else.

Nine out of 11.4 people (approximately) reading this report are thinking, “Who the hell is Triad?” (Hopefully, fewer folks are asking, “What the hell is Atmos?” If you’re one of them, hang in there. I’ll get to Atmos in a bit.) To answer the original question, Triad is a Swiss Army Knife-like manufacturer of custom-installed speakers. That is, regardless of the particular application, Triad has a blade—er, speaker—designed and built for it (in the U.S. of A., by the way). You need in-room, in-ceiling, or in-wall speakers? Check. Invisible in-wall speakers? Ditto. OK, what kind of subwoofer do you want? The standard in-room or an in-wall design? Yes and yes. (Yawn.) Why not try something a little less common, like one of Triad’s on-wall, in-cabinet, or in-ceiling subwoofers? Then there’s Triad’s esoteric and rather sinister-looking FlexSub, which includes an expandable, flexible tube that channels the bass output from the hidden subwoofer cabinet to a remotely located grate or grille.

Mark Fleischmann  |  Jul 29, 2015  |  5 comments

B652-AIR Speaker System
Performance
Build Quality
Value

SUB-1000 Subwoofer
Performance
Features
Build Quality
Value
PRICE $299 as reviewed

AT A GLANCE
Plus
Super affordable
Pleated-diaphragm tweeter
Cinema-friendly voicing
Excellent finish quality
Minus
Lively cabinets
Wire-clip speaker terminals

THE VERDICT
If you want a home theater system and you want it now, these speakers will suit a draconian budget. Let a thousand starter systems bloom.

Late last year, a Florida man walked into Starbucks and ordered a Grande Latte with 99 extra shots of espresso and 17 pumps of vanilla syrup, mocha, and matcha powder. His tab was $83.75—more than a pair of Dayton Audio B652-AIR speakers. He was a big spender, of course, but if you ordered, say, a White Chocolate Mocha every day for two weeks at $4.65 per cup, you’d still spend more than the price per pair of these speakers.

Mark Fleischmann  |  May 14, 2015  |  8 comments

Prestige 15B Speaker System
Performance
Build Quality
Value

Seismic 110 Subwoofer
Performance
Features
Build Quality
Value
PRICE $6,145

AT A GLANCE
Plus
Advanced driver designs
Fine-grained, transparent, dynamic playback
Compact but powerful subwoofer
Minus
Boxy, non-curved enclosures

THE VERDICT
Paradigm’s Prestige series speakers and Seismic 110 sub employ unusual driver design to achieve remarkable transparency and punch.

As I sat down to write this review of the Paradigm Prestige speaker system, I couldn’t get a seemingly unrelated subject—the Pono hate—out of my head. No joke, folks: I sat at the keyboard for hours mulling it over. What chance did I have to convince readers that a $6,145 speaker system is worth hearing when a $400 music player is greeted with language like “don’t buy” and “snake oil”?

OK, I know I’m preaching to the converted. You probably wouldn’t be reading Sound & Vision if you weren’t open to the idea that a well-designed speaker system has the power to bring you closer to music. That’s what the Paradigms did for me when I informally played a few recent additions to my high-resolution music library (more on them later). I felt as if a curtain had been lifted and music was in the room with me—not just recorded music, but music.

Mark Fleischmann  |  Mar 24, 2015  |  0 comments

SoundSpot MT-3 Speaker System
Performance
Features
Value
SUB-8X Subwoofer
Performance
Features
Build Quality
Value
PRICE $3,000 as reviewed

AT A GLANCE
Plus
1mm-thick steel sphere Concentric drivers Superb imaging, soundfield
Minus
Predictably modest bass Satellites pricey

THE VERDICT
Morel’s MT-3 Music Theatre combines steel truncated-sphere enclosures, concentric drivers, and a unique grille pattern to create a visually striking and high-performing compact sat/sub set.

The advent of Dolby Atmos casts a shadow over existing 5.1- and 7.1-channel surround systems. Some home theater buffs want the new technology and want it now, while others may decide not to go all in. In between are those wondering whether to leave the door open for Atmos. And that brings us to the Morel MT-3 satellite/subwoofer set. The 5.1-channel configuration reviewed here does not support Atmos; at least, these satellites lack the up-firing drivers that constitute an “Atmos-enabled” speaker system. However, their base provides for wall-, ceiling-, or tabletop positioning with no additional hardware, and surface-mounting an extra pair (or two) of satellites on a ceiling would indeed bring this speaker system into Atmos territory with a 5.1.2 (or, better yet, 5.1.4) configuration.

David Vaughn  |  Jan 16, 2015  |  4 comments

VTF-15H MK2
Performance
Features
Build Quality
Value

VTF-3 MK5 HP
Performance
Features
Build Quality
Value
PRICE $899, $799

AT A GLANCE
Plus
Tremendous bass output
Excellent value proposition
Highly flexible setup controls
Minus
Won’t win any beauty contests
Heavy!

THE VERDICT
Both subs have plenty of bass per dollar and offer lots of adjustments to fine-tune the performance to fit your room.

Robert Southey was an English poet and author whose version of the fabulous children’s story “Goldilocks and the Three Bears” was the first one published, in 1837. While the tale has entertained kids for 177 years, little did Southey realize that his story is a fitting metaphor for modern subwoofers. Like the three bears’ porridge, chairs, and beds, subwoofers come in all shapes and sizes, and finding the one that’s “just right” for your particular room can sometimes require sampling different subs and room positions in order to get the best bass response.

Mark Fleischmann  |  Jan 13, 2015  |  0 comments

Infinity Reference R162 Speaker System
Performance
Build Quality
Value

Infinity Reference SUB R12 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,100

AT A GLANCE
Plus
Detailed high frequencies
Proprietary drivers
Curved enclosure
Minus
Can be too revealing
More finishes needed

THE VERDICT
The new Infinity Reference series has superb top-end transient detail and a commendably subtle sub, turning even familiar material into a fresh experience.

“Attention to detail.” That was my mantra when I hired and trained people to write product descriptions for an e-commerce site. It’s a pretty good rule to live by in general, and I try my imperfect best to practice it myself, both personally and professionally. It came back to me when I pulled the grille off the Infinity R162, part of the big brand’s new Reference series. When I saw a tweeter waveguide unlike any I’d previously seen, I knew I was communing with a kindred spirit, a lover of detail—though one with access to far greater resources than I command as a mere reviewer. Infinity’s parent corporation, Harman International Industries, has the kind of facilities and personnel that many speaker companies can only dream of. Harman pays a whole lot of talented people to attend to detail.

Daniel Kumin  |  Dec 24, 2014  |  First Published: Dec 23, 2014  |  3 comments

Prime Satellite 5.1 Speaker System
Performance
Build Quality
Value

SB-1000 Subwoofer
Performance
Features
Ergonomics
Value
PRICE $1,000

AT A GLANCE
Plus
Honest, accurate, full-range sound
Painless sub/sat blending
Cheap!
Minus
Won’t match ultimate volume level of larger, more costly systems

THE VERDICT
If your criterion is un-hyped reproduction, SVS’s Prime Satellite 5.1 system is as good as it gets for $1,000.

Good-sounding small speakers no longer impress me. After all, these days, pretty much anybody with a laptop and an Internet connection can design a small two-way that’s reasonably neutral. The tools are all online (many of them share/freeware), fine-performing drivers ranging from cheap ’n’ cheerful to exotic ’n’ expensive are readily available with complete Thiele-Small parameters, and MDF and veneer are plentiful down at Lowe’s. You don’t even need to know Ohm’s law; fluency in Windows or OSX and some basic woodworking skills are probably more useful.

Bob Ankosko  |  Dec 19, 2014  |  7 comments
At Sound & Vision, we’re constantly looking for subwoofers that outperform the competition and rise to the top of their price class. Here’s our list of the best subwoofers you can buy with recommendations in three price categories: less than $1,000, $1,000 to $4,000, and $5,000 and up.
Mark Fleischmann  |  Nov 14, 2014  |  3 comments

Studio 230 Speaker System
Performance
Build Quality
Value
Studio SUB 250P Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,630

AT A GLANCE
Plus
Efficient, high output
Vocal clarity and defined soundfield
Affordable price
Minus
Thin, accentuated top end
Best at low-to-moderate volumes

THE VERDICT
Although their bright voicing may not be for everyone, the JBL Studio 2 speakers combine high efficiency with excellent detail retrieval.

What if the solution to room-interaction problems resided in your loudspeakers? Wouldn’t that be a great alternative to the ills of receiver-based room correction systems? Those are some potentially interesting questions posed by JBL’s Studio 2 series.

For starters, who needs room correction anyway? Well, when it’s hard to catch the dialogue, and imaging smears all over the place, the room correction program in your A/V receiver can mitigate those problems (depending on the receiver and the room). But quite often, it also introduces new artifacts and errors. For my own part, in my own room, I find that many room correction systems thin out the overall tonal balance and induce fatigue. That’s why some audiophiles shun room correction and choose to live with the acoustic character of their room, for better or worse—usually both.

Thomas J. Norton  |  Oct 28, 2014  |  2 comments

683 S2 Speaker System
Performance
Build Quality
Value
ASW 610XP Subwoofer
Performance
Features
Build Quality
Value
PRICE $4,300 (as reviewed)

AT A GLANCE
Plus
Soundstaging
Presence and immediacy
Tight bass (with subwoofer)
Minus
Top end a bit restrained
Limited subwoofer output
Pedestrian styling

THE VERDICT
It took some effort to get their best in my room, but these relatively affordable B&Ws ultimately came through with a big, immediate, and generous sound.

Bowers & Wilkins, aka B&W, has been in the loudspeaker game since the mid-1960s. I reviewed the company’s original 600 series for Stereophile Guide to Home Theater over six years ago, and I was impressed—even though I was listening to those speakers immediately after evaluating Revel’s high-end Ultima2 system. At less than 15 percent of the Revels’ price, the B&Ws couldn’t, of course, equal them. But they weren’t anywhere near embarrassed by the comparison. Now we have the 600 S2 models in house, ready to do battle. The Revels are no longer here, of course, so the 600 S2s will have to speak for themselves. We’re ready to see if they can.

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