EARS ON

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Mark Fleischmann Posted: Apr 10, 2017 9 comments
Back when I was a kid, music streaming was awesome. The music of that era—I'm talking about the late 1960s to the mid '70s—was so good, it would eventually become known as classic rock. The streams were in high-quality analog sound, spun from actual LPs. And there were no monthly fees—all streaming was free!

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Mark Fleischmann Posted: Mar 03, 2017 0 comments
At some point in my relationship with Facebook, Mr. Al Gorithm figured out that I like live music. Once he pegged me as a concertgoer, Mr. Gorithm began stuffing my timeline with ads for concerts. This hasn't bothered me at all. In fact, I often click through to the venue's website and buy a ticket or two. Mr. Gorithm seems aware of that as well because the ads have proliferated, especially those from Lincoln Center and Carnegie Hall. This has had an impact on my listening life, and by extension my listening work. Click, buy, go, listen, reflect.

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Mark Fleischmann Posted: Feb 04, 2017 3 comments
2016 was a brutal year for rock fans and especially for progressive-rock fans. We didn't lose just Prince and Bowie. We lost Keith Emerson's keyboards, and in the final month of the year, the extraordinary voice, not to mention the bass and guitar, of Greg Lake. The year before we lost Chris Squire's Rickenbacker bass. If you recall my ELP in 5.1 review and Keith Emerson tribute, you might be a little tired of hearing about the keyboard-based power trio that was one of my boyhood heroes. But I can't let Greg Lake's death at age 69 pass unremarked.

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Mark Fleischmann Posted: Jan 10, 2017 0 comments
I have been attending the Consumer Electronics Show nearly every year since 1985. Every year I promise myself that this year's CES will be my last.

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Mark Fleischmann Posted: Dec 02, 2016 3 comments
If you have a limited amount of money to spend on audio gear, should you spend it on hi-fi or head-fi? In recent years head-fi has been gaining ground as sales of traditional audio components flatlined and sales of headphones and associate gear skyrocketed. Companies with long track records in hi-fi (and mass market audio) have conjured new headphone lines out of thin air. Companies with long track records in head-fi are making hay.

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Mark Fleischmann Posted: Nov 04, 2016 3 comments
Soundbars are not for everyone. But they are for an increasing number of people, with unit sales having risen from 1.3 million in 2010 to 12.9 million in 2016. I review soundbars and soundbases as well as satellite/subwoofer sets and orthodox speakers, so I know what it's like to live with one. I must admit it wouldn't be my first choice for a primary audio system. But the following scenarios don't apply to me...

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Mark Fleischmann Posted: Oct 07, 2016 3 comments
To buy or not to buy? That is the question. Whether 'tis nobler to pay an Ebay seller several hundred bucks for an ancient Luxman L-80 or take arms against a sea of regrets—that is what has been troubling me for years as I've ogled this stereo integrated amp from 1975. I don't need it; yet I want it. I'm suffering from non-buyer's remorse.

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Posted: Sep 02, 2016 9 comments
I adopted a new reference receiver recently. You've already read all about the product itself, the Denon AVR-X7200W. But it's one thing for a reviewer to evaluate a product positively. It's another thing to give it the coveted reference-receiver berth on my rack. This is a big event, so perhaps I should say a few words about it.

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Mark Fleischmann Posted: Aug 05, 2016 2 comments
My job is to write audio equipment reviews and news briefs for our magazine. My hobby is to write this blog. Writing for a print medium means writing tight because there's only so much space to go around. That means routinely eliminating material. The temptation I face most often is to lard hardware reviews with music criticism. I'm a lapsed music critic and like to blur the boundary between tech criticism and music criticism as long as it doesn't disserve the tech-oriented reader. Recently I faced a similar temptation when reviewing a Sony Walkman and earbuds. It required a trip out of the office. Some impressions of the trip ended up on the cutting room floor. They weren't strictly necessary for the review, but they haunted me. I'll blog them here instead.

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Mark Fleischmann Posted: Jul 01, 2016 9 comments
When it comes to my music library, sometimes I'm like a little kid. Buy now, think about the consequences later. My apartment was already groaning under the load of LPs, CDs, other media, and gear a year or two back when I suddenly went on an accelerated vinyl-collecting binge. When my workday was over, I'd sit in my armchair with a tablet, making one Ebay buy after another. On weekends I was off to Academy Records on West 18th Street in Manhattan to look for classical treasures (because classical vinyl is still cheap and cheap is what it's all about). Vinyl started overflowing from the shelves to the floor. Those LP-size BD/DVD-A/CD box sets made matters worse. Soon, and not for the first time in my life, I was in the throes of a full-blown LP storage crisis.

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Mark Fleischmann Posted: Jun 03, 2016 1 comments
The audiocassette killed the LP. The Compact Disc killed the audiocassette. Downloads have all but killed the CD. And it looks increasingly as if streaming is killing downloads. Yet vinyl resurges, confounding the wing of audio punditry that has long asserted its flaws ought to make it stay dead. Me, I love good analog as much as I love good digital, and I also love the tactile experience of handling LPs. Once in a while I pick one off the shelf and marvel at what a beautiful artifact it is. Following are some of my favorite LP artifacts, with emphasis on unusual design and manufacturing gimmicks that make them especially pleasing as physical art objects.

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Mark Fleischmann Posted: May 06, 2016 11 comments
Audio products bring us joy. They also get in the way. (That goes double for hard-copy software. And triple for LPs, much as we love them.) In fact, though the magazine's reviews discuss fidelity, features, and even ergonomics, they rarely discuss how a product might bulk large in your home. Reviewers simply assume that readers will consider the product category, look at the picture, maybe check the dimensions, and reach their own conclusions. But intrusion is a major way in which products relate, or fail to relate, to us.

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Mark Fleischmann Posted: Apr 01, 2016 1 comments
I have been a fan of Keith Emerson (1944-2016) since a childhood friend introduced me to Elegy by The Nice. I was intrigued by the long stretches of piano and Hammond organ improvisation overlaid onto recognizable songs—among other things. What just zipped by? Was that a Tchaikovsky symphony movement? My heirs may someday be startled to find three LP copies (and one CD) of this album. Not long afterward, I spent my lawn-mowing money on the untitled debut album of Emerson Lake & Palmer. After more plays than I can even estimate, and on some pretty dodgy turntables, it's developed some sibilance problems, as I noticed on a recent memorial spin, but the DVD-Audio/CD edition with Steven Wilson's surround and stereo remasters has picked up the torch.

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Mark Fleischmann Posted: Mar 04, 2016 2 comments
Concertgoers will enjoy a new experience on Beyoncé's next tour. Starting in April 2016, the Formation World Tour will be the first to feature THX Live! certification. Yes, THX is now certifying concert sound.

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Mark Fleischmann Posted: Feb 05, 2016 7 comments
It is now blindingly obvious that music has burst free of its chains. Even the traditionalist audio categories I cover have ways to make music fly through the air. Let me run through some approaches to wireless connectivity—some well established, others new and novel. When we get to the finish line, I'd love to hear about what you use and what you would like to try.

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