ACCESSORY REVIEWS

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Mike Wood  |  May 12, 2003  |  First Published: May 13, 2003  |  0 comments
Better sound without additional black boxes.

Have you considered room acoustics? That's my first question when people ask me for home theater advice. Your theater's acoustic environment is as important to your system's sound quality as any single component. Sure, you can improve the sound with a new amplifier, new speakers, or the latest and greatest EX/ES processor; however, if your room isn't acoustically optimized, you still won't get maximum performance from your system, no matter how much it costs. Adding acoustic treatment is probably the easiest and most effective thing you can do to improve your sonic environment. Granted, it can be daunting to calculate reverberation times so that you add the right amount of acoustic treatment. Fortunately, Performance Media Industries (PMI) has done the work for you with their CinePanel acoustic-treatment kits.

Geoffrey Morrison  |  May 02, 2001  |  First Published: May 03, 2001  |  0 comments
The fifth sense.

From the time movies first emerged as a pastime, filmmakers and theater owners have tried to come up with ways to make the movie experience more and more realistic. The picture (other than size) couldn't change, so they tried other ways. Some, like the Smellorama, didn't work. Others, like multichannel sound, did. Moving from one channel to six or eight channels, most people would think, "I'm surrounded by sound. What else is there?" What all, or at least most, systems lack is the ability to touch you—to literally touch you. Clark Synthesis' line of transducers aims to change that with tactile sound.

Michael Trei  |  Nov 29, 2000  |  First Published: Nov 30, 2000  |  0 comments
Power to the people.

There was a time when playing with audio was a lot of fun. I was a pretty tweaky guy and would regularly try out all of the latest tweaks and accessories. Then, about seven or eight years ago, I kind of burned out. I had gone to visit the home of a fellow audiophile who was so obsessed with adjusting and fiddling with things that listening to music had taken a back seat. Rather than see myself following the same path, I decided to go on kind of an antitweak rant. Sure, careful setup remains important, but enjoying music has become even more so. Consequently, when a manufacturer approaches me with some new device made from Unobtainium that's supposed to make my life better for a mere $299, I tend to get defensive. This, however, was not my reaction when I first saw the PS Audio P300 Power Plant because most of its design approach followed what I had for years thought would be a great way to deal with the crappy AC power most utilities deliver.

Krissy Rushing  |  Apr 28, 2000  |  First Published: Apr 29, 2000  |  0 comments
Winning the war over remote reproduction.

If you've got as much gear as the average home theater writer, you can relate to the panicky feeling you get when you go to the kitchen for a beer and some snacky cakes, come back, and find that two of your remotes have shacked up to make a third . . . and a fourth . . . and a fifth—to the point where your collection of expensive coffee-table books is hidden under a pile of black, rectangular gadgets. That's a scary feeling—some of us have even gone into therapy because of it. Don't worry, you're not hallucinating, but you do have a problem. You need to simplify. With all the remote possibilities out there, the possibility that you'll find one that will jibe with your system and your needs isn't remote at all. You just need to figure out what sort of remote is best for you. And since we're, well, sort of control freaks (as the expression goes), we can help you figure out if you want a universal remote, a learning remote, a programmable touchscreen remote, or some combination thereof.

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